Genoa (1965) by Paul Metcalf | Northwest Review
We as a nation would do well to follow the lead of Paul Metcalf, an experimental writer who died in 1999. His 1965 novel Genoa, reissued by Coffee House Press to celebrate its 50th anniversary, contends with exactly these kinds of forces. The present action of the novel is pretty bare bones: Michael Mills, a man with a medical degree but who can’t bring himself to practice, sifts through the detritus of his attic while his children watch television downstairs. That’s really it. Throughout, Michael quotes Melville and Christopher Columbus for various reasons and in various ways; a good chunk of the book is made up of quotations. But the novel is really about the convergence of three threads: 1. Paul Metcalf’s relation to Herman Melville (he was Metcalf’s great-grandfather), 2. Columbus’s relation to America, and 3. the character Michael’s relation to his brother Carl, who was executed for murder. These three notions intertwine and correspond in complex ways throughout the novel.
